Overview
- Presents compelling encouragement to readers to reconsider the application of contemporary reading of the Jewish experience onto comics in the United States
- Draws attention to the imprecision and incorrect assumptions surrounding the emergence of comic culture in the 1930s and 1940s
- Offers up in-depth readings, investigations, and contextualization of the last thirty years of scholarship in comics
Part of the book series: Contemporary Religion and Popular Culture (CRPC)
Access this book
Tax calculation will be finalised at checkout
Other ways to access
About this book
In this book, Martin Lund challenges contemporary claims about the original Superman’s supposed Jewishness and offers a critical re-reading of the earliest Superman comics. Engaging in critical dialogue with extant writing on the subject, Lund argues that much of recent popular and scholarly writing on Superman as a Jewish character is a product of the ethnic revival, rather than critical investigations of the past, and as such does not stand up to historical scrutiny. In place of these readings, this book offers a new understanding of the Superman created by Jerry Siegel and Joe Shuster in the mid-1930s, presenting him as an authentically Jewish American character in his own time, for good and ill.
On the way to this conclusion, this book questions many popular claims about Superman, including that he is a golem, a Moses-figure, or has a Hebrew name. In place of such notions, Lund offers contextual readings of Superman as he first appeared, touchingon, among other ideas, Jewish American affinities with the Roosevelt White House, the whitening effects of popular culture, Jewish gender stereotypes, and the struggles faced by Jewish Americans during the historical peak of American anti-Semitism.
In this book, Lund makes a call to stem the diffusion of myth into accepted truth, stressing the importance of contextualizing the Jewish heritage of the creators of Superman. By critically taking into account historical understandings of Jewishness and the comics’ creative contexts, this book challenges reigning assumptions about Superman and other superheroes’ cultural roles, not only for the benefit of Jewish studies, but for American, Cultural, and Comics studies as a whole.
On the way to this conclusion, this book questions many popular claims about Superman, including that he is a golem, a Moses-figure, or has a Hebrew name. In place of such notions, Lund offers contextual readings of Superman as he first appeared, touchingon, among other ideas, Jewish American affinities with the Roosevelt White House, the whitening effects of popular culture, Jewish gender stereotypes, and the struggles faced by Jewish Americans during the historical peak of American anti-Semitism.
In this book, Lund makes a call to stem the diffusion of myth into accepted truth, stressing the importance of contextualizing the Jewish heritage of the creators of Superman. By critically taking into account historical understandings of Jewishness and the comics’ creative contexts, this book challenges reigning assumptions about Superman and other superheroes’ cultural roles, not only for the benefit of Jewish studies, but for American, Cultural, and Comics studies as a whole.
Similar content being viewed by others
Keywords
Table of contents (10 chapters)
-
Front Matter
-
Back Matter
Authors and Affiliations
About the author
Martin Lund is a Swedish Research Council International Postdoc at Linnaeus University, Sweden. He is also a Visiting Research Scholar at the Gotham Center for New York City History, CUNY Graduate Center, USA. He has a PhD in Jewish Studies from Lund University, as well as a Masters in Theology, History and Anthropology of Religion, also from Lund University, Sweden. His publications include articles and book chapters on subjects such as comics and religion, identity, race, and place.
Bibliographic Information
Book Title: Re-Constructing the Man of Steel
Book Subtitle: Superman 1938–1941, Jewish American History, and the Invention of the Jewish–Comics Connection
Authors: Martin Lund
Series Title: Contemporary Religion and Popular Culture
DOI: https://doi.org/10.1007/978-3-319-42960-1
Publisher: Palgrave Macmillan Cham
eBook Packages: Religion and Philosophy, Philosophy and Religion (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2016
Softcover ISBN: 978-3-319-82705-6Published: 28 April 2018
eBook ISBN: 978-3-319-42960-1Published: 17 November 2016
Series ISSN: 2945-7777
Series E-ISSN: 2945-7785
Edition Number: 1
Number of Pages: VIII, 215
Topics: Religion and Society, Jewish Cultural Studies, Cultural Studies, American Culture