Overview
- Offers innovative interpretations of the fable genre, with emphasis on the non-European fable tradition
- Discusses literary texts by well-known authors such as Rudyard Kipling, Edward Lear, and Robert Browning, alongside less canonical examples
- Investigates the intersection between postcolonial studies and animal studies
Part of the book series: Palgrave Studies in Animals and Literature (PSAAL)
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About this book
This book coins the term ‘imperial beast fable’ to explore modern forms of human-animal relationships and their origins in the British Empire. Taking as a starting point the long nineteenth-century fascination with non-European beast fables, it examines literary reworkings of these fables, such as Rudyard Kipling’s Jungle Books, in relation to the global politics of race, language, and species. The imperial beast fable figures variably as a key site where the nature and origins of mankind are hotly debated; an emerging space of conservation in which humans enclose animals to manage and control them; a cage in which an animal narrator talks to change its human jailors; and a vision of animal cosmopolitanism, in which a close kinship between humans and other animals is dreamt of. Written at the intersection of animal studies and postcolonial studies, this book proposes that the beast fable embodies the ideologies and values of the British Empire, while also covertly critiquingthem. It therefore finds in the beast fable the possibility that the multitudinous animals it gives voice to might challenge the imperial networks which threaten their existence, both in the nineteenth century and today.
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Keywords
Table of contents (7 chapters)
Reviews
“In a time of mass extinctions, talking with animals has never been more urgently necessary. What would animals say if we knew how to listen? The beast fable has been dismissed as an allegorical screen for human concerns. Yet what if this genre, in which animals speak, were offering an instance of a possible hearing of a subaltern animal encountering? Buried within imperial histories lie other stories—indigenous, folkloric, animalcentric—that provincialize the European and the Human. Kaori Nagai unleashes the radical possibilities of beast fables for animals.” (Donna Landry, Professor of English and American Literature, University of Kent, UK, and author of Noble Brutes: How Eastern Horses Transformed English Culture (2008))
Authors and Affiliations
About the author
Kaori Nagai is Lecturer in Victorian Literature at the University of Kent, UK. She is the author of Empire of Analogies: Kipling, India and Ireland (2006). She has edited Rudyard Kipling’s Plain Tales from the Hills and The Jungle Books for Penguin Classics, and is the co-editor of Kipling and Beyond (2010), and Cosmopolitan Animals (2015).
Bibliographic Information
Book Title: Imperial Beast Fables
Book Subtitle: Animals, Cosmopolitanism, and the British Empire
Authors: Kaori Nagai
Series Title: Palgrave Studies in Animals and Literature
DOI: https://doi.org/10.1007/978-3-030-51493-8
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020
Hardcover ISBN: 978-3-030-51492-1Published: 29 July 2020
Softcover ISBN: 978-3-030-51495-2Published: 30 July 2021
eBook ISBN: 978-3-030-51493-8Published: 28 July 2020
Series ISSN: 2634-6338
Series E-ISSN: 2634-6346
Edition Number: 1
Number of Pages: XIII, 252
Number of Illustrations: 7 b/w illustrations
Topics: Literature, general, Nineteenth-Century Literature, Twentieth-Century Literature, Asian Literature