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Table of contents (9 chapters)
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'Covering the optical and illusory quality of 3D from its Victorian beginnings to its new digital dominance, Ross presents a new critical perspective on 3D that should be required reading for anyone in the field.' - Keith M. Johnston, University of East Anglia, UK
'With 3D Cinema Miriam Ross has finally written the book I've been waiting for someone to write for years! This is a masterfully written, thoughtful and thoroughly researched book that provides a rich account of shifts in perception and visuality. Rather than understanding 3D as a phenomenon specific to our digital times, Ross considers its connection to the complex media history of stereoscopic illusions that goes back 200 years. This book is a must read for any serious film and screen scholar!' - Angela Ndalianis, University of Melbourne, Australia
'Ross's trenchant book provides what the digital 3D era has long needed: neither hyperbolic justification nor predictable praise for stereoscopic cinema's few acknowledged masterpieces, but a sophisticated contribution to cinema aesthetics, in which 3D emerges as a third regime of screen entertainment, and one closely linked to contemporary fascination with bodily experience.' - Ian Christie, Birkbeck College, University of London, UK
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Bibliographic Information
Book Title: 3D Cinema
Book Subtitle: Optical Illusions and Tactile Experiences
Authors: Miriam Ross
DOI: https://doi.org/10.1057/9781137378576
Publisher: Palgrave Macmillan London
eBook Packages: Palgrave Media & Culture Collection, Literature, Cultural and Media Studies (R0)
Copyright Information: Palgrave Macmillan, a division of Macmillan Publishers Limited 2015
Hardcover ISBN: 978-1-137-37856-9Published: 20 March 2015
Softcover ISBN: 978-1-349-47833-0Published: 01 January 2015
eBook ISBN: 978-1-137-37857-6Published: 24 March 2015
Edition Number: 1
Number of Pages: XI, 225
Topics: Media Studies, Directing, Film History, Screen Studies