Skip to main content
Palgrave Macmillan

Staging Black Feminisms

Identity, Politics, Performance

  • Book
  • © 2007

Overview

Part of the book series: Performance Interventions (PIPI)

This is a preview of subscription content, log in via an institution to check access.

Access this book

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

eBook USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

About this book

Staging Black Feminisms explores the development and principles of black British women's plays and performance since the late Twentieth century. Using contemporary performance theory to explore key themes, it offers close textual readings and production analysis of a range of plays, performance poetry and live art works by practitioners.

Similar content being viewed by others

Keywords

Table of contents (9 chapters)

  1. Introduction

  2. History and Aesthetics

  3. Plays

  4. Performances

  5. Conclusions

Reviews

'...a welcome addition to a growing body of scholarly work on black and Asian theatre in Britain... Goddard's book... helps paint a picture of a richly diverse, provocative, and energetic movement that deserves a significantly bigger place on the stage.' Meenakshi Ponnuswami, Modern Drama

'A major strength is Goddard's attention to black women's performance art and poetry alongside and in relation to theatre, and her readings of the highly innovative work of debbie tucker green... a sensitive and incisive account of a growing body of work.' - Susan Croft, Theatre Research International

'It offers an invaluable critical archiving of work which has had a precarious existence after its staging...Goddard's specialization is impressive and groundbreaking - especially in her insightful restitution of black lesbian texts and performances.' Deirde Osborne, Contemporary Theatre Review

About the author

LYNETTE GODDARD is a Lecturer in the Department of Drama and Theatre, Royal Holloway, University of London, UK

Bibliographic Information

Publish with us