Skip to main content
Palgrave Macmillan

Screening the Author

The Literary Biopic

  • Book
  • © 2019

Overview

  • Constitutes the first comprehensive analysis of the contemporary representation of the author on screen
  • Theorises the screen representation of the author as its own unique cinematic genre of the ‘literary biopic’
  • Situates the preoccupation with the figure of the author on screen in wider cultural, economic, and industrial contexts, offering a multidisciplinary approach

Part of the book series: Palgrave Studies in Adaptation and Visual Culture (PSADVC)

This is a preview of subscription content, log in via an institution to check access.

Access this book

Subscribe and save

Springer+ Basic
$34.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or eBook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

eBook USD 79.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

About this book

This book is the first comprehensive analysis of the contemporary representation of the author on screen. It does this through two main approaches: by looking at how biographies of well-known authors in Western culture have been adapted onto the film and television screen; and by examining the wider preoccupation with the idea of what the ‘author persona’ means in broader economic, cultural, industrial, and ideological terms. Drawing from current debates about the uses of the heritage industry and conventions of the Hollywood biopic and celebrity culture, this book re-frames the analysis of the author on screen in contemporary culture and theorises it under its own unique genre: the ‘literary biopic’. With case studies including adaptations of the biographies and cultural personas of William Shakespeare, Jane Austen, Oscar Wilde, Sylvia Plath, Virginia Woolf, and Allen Ginsberg—to name a few–this book examines how and why the author continues to be a prominent screen and cultural preoccupation. 

Similar content being viewed by others

Keywords

Table of contents (6 chapters)

Authors and Affiliations

  • De Montfort University, Leicester, UK

    Hila Shachar

About the author

Hila Shachar is Senior Lecturer in English Literature, Creative Writing, and Film, and a member of the Centre for Adaptations, at De Montfort University, UK. Her book, Cultural Afterlives and Screen Adaptations of Classic Literature (Palgrave Macmillan, 2012), was featured in The New York Times, and nominated for the 2012 Western Australian Premier’s Book Awards. She has also published widely on topics including French cinema, the screen representation of the Holocaust, the biopic genre and historical film, and Australian cinema.

Bibliographic Information

Publish with us