Overview
- Focuses on a hitherto unexplored dimension of animation
- Offers a new platform for research at the intersection of animation studies and memory studies
- Combines a pedagogical style and innovative cutting-edge research
Part of the book series: Palgrave Animation (PAANI)
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About this book
This book examines the role of memory in animation, as well as the ways in which the medium of animation can function as a technology of remembering and forgetting. By doing so, it establishes a platform for the cross-fertilization between the burgeoning fields of animation studies and memory studies. By analyzing a wide range of different animation types, from stop motion to computer animation, and from cell animated cartoons to painted animation, this book explores the ways in which animation can function as a representational medium. The five parts of the book discuss the interrelation of animation and memory through the lens of materiality, corporeality, animation techniques, the city, and animated documentaries. These discussions raise a number of questions: how do animation films bring forth personal and collective pasts? What is the role of found footage, objects, and sound in the material and affective dimensions of animation? How does animation serve political ends? The essays in this volume offer answers to these questions through a wide variety of case studies and contexts. The book will appeal to both a broad academic and a more general readership with an interest in animation studies, memory studies, cultural studies, comparative visual arts, and media studies.
Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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Keywords
Table of contents (13 chapters)
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Front Matter
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Trauma and the Body
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Front Matter
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Documentary and Animation
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Front Matter
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Back Matter
Editors and Affiliations
About the editors
Maarten van Gageldonk is a lecturer in Cultural Studies and Cultural History at the ArtEZ University of the Arts in Arnhem, the Netherlands, as well as a lecturer at the HAN University of Applied Sciences in Nijmegen. He is also the lead programmer for the Kaboom Animation Festival in Amsterdam.
Ali Shobeiri is Assistant Professor of Photography at Leiden University in the Netherlands. His upcoming monograph is titled: Place: Towards a Geophilosophy of Photography.
László Munteán is Assistant Professor with a double appointment in Cultural Studies and American Studies at Radboud University Nijmegen, the Netherlands. He is co-editor of Materializing Memory in Art and Popular Culture (2017).
Bibliographic Information
Book Title: Animation and Memory
Editors: Maarten van Gageldonk, László Munteán, Ali Shobeiri
Series Title: Palgrave Animation
DOI: https://doi.org/10.1007/978-3-030-34888-5
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020
Hardcover ISBN: 978-3-030-34887-8Published: 21 August 2020
Softcover ISBN: 978-3-030-34890-8Published: 21 August 2021
eBook ISBN: 978-3-030-34888-5Published: 20 August 2020
Series ISSN: 2523-8086
Series E-ISSN: 2523-8094
Edition Number: 1
Number of Pages: XVIII, 257
Number of Illustrations: 17 b/w illustrations, 10 illustrations in colour
Topics: Animation, Memory Studies