
Overview
- Focuses on the concept of intersubjectivity
- Offers new ways of thinking about dance-related artworks in public spaces
- Deploys a multi-disciplinary approach to dance choreography and performance art
Part of the book series: New World Choreographies (NWC)
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About this book
Choreographing Intersubjectivity in Performance Art deploys a multi-disciplinary approach across dance choreography and evolving manifestations of performance art. An innovative, overarching concept of choreography sustains the idea that intersubjectivity evolves through places, spaces, performance and spectatorship. Drawing upon international examples, the book introduces readers to performance art from the South Pacific and the complexities of de-colonising choreography. Artists Tino Sehgal, Xavier Le Roy, Jordan Wolfson, Alicia Frankovich and Shigeyuki Kihara are discussed.
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Table of contents (8 chapters)
Authors and Affiliations
About the author
Bibliographic Information
Book Title: Choreographing Intersubjectivity in Performance Art
Authors: Victoria Wynne-Jones
Series Title: New World Choreographies
DOI: https://doi.org/10.1007/978-3-030-40585-4
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2021
Hardcover ISBN: 978-3-030-40584-7Published: 30 September 2021
Softcover ISBN: 978-3-030-40587-8Published: 01 October 2022
eBook ISBN: 978-3-030-40585-4Published: 29 September 2021
Series ISSN: 2730-9266
Series E-ISSN: 2730-9274
Edition Number: 1
Number of Pages: XIV, 255
Number of Illustrations: 1 b/w illustrations, 15 illustrations in colour
Topics: Dance, Performing Arts, Performers and Practitioners, Arts, Cultural Heritage