Overview
- Assesses how art cinema conventions have been adapted by current practitioners in order to meaningfully respond to the social, political and cultural dynamics of neoliberalism
- Addresses the way narrative crises in art films produce accordant crises of identification, ethical positioning and voyeuristic spectatorship for their audiences
- Approaches art cinema from the perspective of political economy and applies aesthetic analysis to our understanding of neoliberalism and crisis
Part of the book series: Global Cinema (GLOBALCINE)
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About this book
Art Cinema and Neoliberalism surveys cinematic responses to neoliberalism across four continents. One of the first in-depth studies of its kind, this book provides an imaginative reassessment of art cinema in the new millennium by showing how the exigencies of contemporary capitalism are exerting pressure on art cinema conventions. Through a careful examination of neoliberal thought and practice, the book explores the wide-ranging effects of neoliberalism on various sectors of society and on the evolution of film language. Alex Lykidis evaluates the relevance of art cinema style to explanations of the neoliberal order and uses a case study approach to analyze the films of acclaimed directors such as Asghar Farhadi, Yorgos Lanthimos, and Lucrecia Martel in relation to the social, political, and cultural characteristics of neoliberalism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today’s film auteurs.
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Keywords
Table of contents (7 chapters)
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Front Matter
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Part I
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Front Matter
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Part I Costs of Neoliberalism
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Part II
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Front Matter
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Part III
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Front Matter
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Back Matter
Reviews
“This is an important, urgent study, pursued with energy and acuity. Well-grounded in both geopolitical contexts and critical theory, the book offers sharp and insightful analyses of art cinema from Mali, Argentina, Greece, Iran, and France. Always engaging and readable, this is an excellent resource for teaching and a vital contribution to our understanding of cinematic responses to neoliberalism.”
-Thomas Austin, University of Sussex, UK
“Timely and eminently readable, Art Cinema and Neoliberalism reinvigorates debate on art cinema’s relationship to politics. Lykidis’s incisive analyses of contemporary international art films animate the centrality of debt, disenfranchisement, racism, and anti-democratic policies to the 21st century formation of political film aesthetics. This book forms a major contribution to the emerging body of scholarship on the cinemas of economic crisis.”
-Rosalind Galt, King’s College London, UK
Authors and Affiliations
About the author
Alex Lykidis is Associate Professor of Film Studies in the English Department at Montclair State University, USA.
Bibliographic Information
Book Title: Art Cinema and Neoliberalism
Authors: Alex Lykidis
Series Title: Global Cinema
DOI: https://doi.org/10.1007/978-3-030-61006-7
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020
Hardcover ISBN: 978-3-030-61005-0Published: 19 March 2021
Softcover ISBN: 978-3-030-61008-1Published: 19 March 2022
eBook ISBN: 978-3-030-61006-7Published: 18 March 2021
Series ISSN: 2634-5951
Series E-ISSN: 2634-596X
Edition Number: 1
Number of Pages: XII, 264
Number of Illustrations: 19 b/w illustrations
Topics: Global Cinema and TV, Screen Studies, Media and Communication