Overview
- Offers a detailed description of a discrete activity from start to finish and a thorough review of the resources required to establish it in a real-world context
- Fills a gap in the contexts of activism and international development, in which many participatory activities are implemented without nuanced understanding of the theoretical architecture supporting them
- Grounds the theories in practice without diluting them through the review of real-world examples from broader practice and the description of a successful movie-making activity
Part of the book series: Palgrave Studies in Communication for Social Change (PSCSC)
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About this book
Can the stories people tell influence the way they see the world? This book seeks to address that question through a study of the viability of movie making as a critical pedagogy activity. Positioned at the intersection of education and communication for social change, it explores the relationship between the generation of subjective knowledge through storytelling and analysis, and systemic change.
Central to the book is a case study from Nepal. By using video as the action element and analytical material of coursework, youth participants generated a new critical awareness, engendered by themes arising from group discussion. Through the analysis of these themes participants initiated an emergence known as conscientization. Led by two critical educators, participants used the production, screening, and analysis of their own movies to propel the course, or praxis, forward.
This book seeks to inform the practice of critical pedagogy both practically and theoretically, and also offers a contribution to the fields of participatory action-research and communication for social change.
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Keywords
Table of contents (6 chapters)
Reviews
“The history of social science research, utilizing critical theoretical frameworks, is a fairly short one in the Nepali context. Dr. Walker’s book makes a significant contribution to a small but growing body of scholarship exploring solutions for community development and capacity building through alternative methods. By situating the praxis of participatory movie-making within both the macro historical context of development and neoliberal policies, and the micro socio-political and economic realities of poverty, class, caste and gender hierarchies, Dr. Walker is able to provide a very compelling case for how and why consciousness building linked to social action at the grassroots has significant implications for change. I have seen few studies with such a strong sense of coherence and thoughtfulness between the theoretical frameworks, literature review, methods and analysis. It is also important to note that, against the backdrop of political and economic fragmentation and disintegration in Nepal, there is an emerging sense of agency and hopefulness among Nepali youth. Dr. Walker’s work fits well into this constructive larger movement and provides concrete strategies that have the potential to empower these youth with the tools needed to make change.” (Shabnam Koirala Azad, University of San Francisco, USA)
Authors and Affiliations
About the author
Grady Walker is a Postdoctoral Researcher at the Walker Institute, University of Reading, UK. He previously worked professionally as a documentary filmmaker. He received his PhD at The University of Queensland for his research in the field of communication for social change.
Bibliographic Information
Book Title: Movie Making as Critical Pedagogy
Book Subtitle: Conscientization through Visual Storytelling
Authors: Grady Walker
Series Title: Palgrave Studies in Communication for Social Change
DOI: https://doi.org/10.1007/978-3-319-96926-8
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2018
Hardcover ISBN: 978-3-319-96925-1Published: 14 September 2018
Softcover ISBN: 978-3-030-07274-2Published: 31 January 2019
eBook ISBN: 978-3-319-96926-8Published: 01 September 2018
Series ISSN: 2634-6397
Series E-ISSN: 2634-6400
Edition Number: 1
Number of Pages: XX, 216
Number of Illustrations: 22 b/w illustrations
Topics: Media and Communication, Film Theory, Film and TV Production