About this book series
This leading-edge series joins two disciplines in an exploration of how music and literature confront each other as dissonant antagonists while also functioning as consonant companions. By establishing a critical connection between literature and music, this series highlights the interaction between what we read and hear. Investigating the influence music has on narrative through history, theory, culture, or global perspectives provides a concrete framework for a seemingly abstract arena. Titles in the series, both monographs and edited volumes, explore musical encounters in novels and poetry, considerations of the ways in which narratives appropriate musical structures, examinations of musical form and function, and studies of interactions with sound.
Editorial Advisory Board:
Frances R. Aparicio, Northwestern University, US
Timothy Brennan, University of Minnesota, US
Barbara Brinson Curiel, Critical Race, Gender & Sexuality Studies, Humboldt State University, US
Gary Burns, Northern Illinois University, US
Peter Dayan, Word and Music Studies, University of Edinburgh, Scotland
Shuhei Hosokawa, International Research Center for Japanese Studies, Japan
Javier F. León, Latin American Music Center of the Jacobs School of Music, Indiana University, US
Marilyn G. Miller, Tulane University, US
Robin Moore, University of Texas at Austin, US
Nduka Otiono, Institute of African Studies, Carleton University, Canada
Gerry Smyth, Liverpool John Moores University, England
Jesús Tejada, Universitat de València, Spain
Alejandro Ulloa Sanmiguel, Universidad del Valle, Colombia
- Electronic ISSN
- 2946-5141
- Print ISSN
- 2946-5133
- Series Editor
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- Marco Katz Montiel
Book titles in this series
Abstracted and indexed in
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- SCOPUS