Overview
- Places Shakespeare and his work in the religious and political context of his own time
- Provides a new interpretation of the medieval influence on Renaissance plays
- Examines the connectedness of religion, literature, and art
Part of the book series: The New Middle Ages (TNMA)
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About this book
Whereas traditional scholarship assumed that William Shakespeare used the medieval past as a negative foil to legitimate the present, Shakespeare, Catholicism, and the Middle Ages offers a revisionist perspective, arguing that the playwright valorizes the Middle Ages in order to critique the oppressive nature of the Tudor-Stuart state. In examining Shakespeare’s Richard II, The Merchant of Venice, Hamlet, King Lear, Macbeth, and The Winter’s Tale, the text explores how Shakespeare repossessed the medieval past to articulate political and religious dissent. By comparing these and other plays by Shakespeare’s contemporaries with their medieval analogues, Alfred Thomas argues that Shakespeare was an ecumenical writer concerned with promoting tolerance in a highly intolerant and partisan age.
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Keywords
- medieval literary models
- medieval literary techniques
- medieval motifs
- medieval art
- Early modern literature
- renaissance literature
- Shakespeare and the middle ages
- Catholicism in Tudor England
- religious freedom Renaissance England
- Shakespeare and Catholicism
- Christopher Marlowe
- Jews in Renaissance England
- Shakespeare
Table of contents (7 chapters)
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Front Matter
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Back Matter
Reviews
“This … is a timely book. It is also highly readable and easy to recommend: it is never less than stimulating, its parallels between medieval and later texts often illuminating and thought provoking.” (Ivana Djordjević, Speculum, Vol. 94 (4), October, 2019)
“Alfred Thomas combines an acute sense of the political, probing for tales of tyranny and resistance, with an ability to place literary works in their deep historical context. The lay reader will be intrigued by the parallels he draws between the Elizabethan era and the present.” (Peter Rutland, Professor of Government, Wesleyan University, USA)
“In Shakespeare, Catholicism, and the Middle Ages, Alfred Thomas has written an original, learned, refreshing book on a famous and familiar subject that challenges many of the common critical assumptions about the sources and historical contexts of several of Shakespeare’s greatest plays. With subtlety and brilliance, Thomas not only demonstrates that medieval tradition and culture were well-known and respected by Shakespeare, but that they would also have influenced the distinctive responses of Catholic and Protestant audiences in the late years of the reign of Elizabeth I. Thomas presents his case with an impressive array of evidence in this fascinating study.” (Robert Kiely, Professor of English, Emeritus, Harvard University, USA)
Authors and Affiliations
About the author
Alfred Thomas is Professor of English at the University of Illinois at Chicago, USA, and is the author of ten books, including a Blessed Shore: England and Bohemia from Chaucer to Shakespeare (2007); Shakespeare, Dissent, and the Cold War (Palgrave Macmillan 2014); and Reading Women in Late Medieval Europe: Anne of Bohemia and Chaucer’s Female Audience (Palgrave Macmillan 2015).
Bibliographic Information
Book Title: Shakespeare, Catholicism, and the Middle Ages
Book Subtitle: Maimed Rights
Authors: Alfred Thomas
Series Title: The New Middle Ages
DOI: https://doi.org/10.1007/978-3-319-90218-0
Publisher: Palgrave Macmillan Cham
eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)
Copyright Information: The Editor(s) (if applicable) and The Author(s) 2018
Hardcover ISBN: 978-3-319-90217-3Published: 29 June 2018
Softcover ISBN: 978-3-030-07965-9Published: 26 January 2019
eBook ISBN: 978-3-319-90218-0Published: 18 June 2018
Series ISSN: 2945-5936
Series E-ISSN: 2945-5944
Edition Number: 1
Number of Pages: XV, 260
Number of Illustrations: 13 illustrations in colour
Topics: Medieval Literature, Shakespeare, Literary History